Happy Birthday Penny Lane
It’s a drag when you show up to vacation sad and scared, but Emily’s not fazed. She’s been one of my best people since I was 12, and we’ve popped in and out of each other’s lives through the wonderful and the seriously worrisome.
When she tells me she’s booked us tickets to see the Soul Rebels — a 9PM show — I do everything I can to store up enough energy to stay awake. That includes vegging out all day and ordering a coffee at the end of dinner… at 8:45PM.
I’m not drinking, so the let ‘s-keep-this-party-going vibe can be harder for me to catch — and keep — until we walk into the legendary New Orleans dance hall, Tipitina’s.
The opener, SaxKixAve, kicks my ass in all the right ways. They’re lively, funny, funky, and fun. It’s clear this duo shows up with authentic joy — and I need it — so I let it all in. I dance. I sing. I laugh. And for a while, I stop feeling like a person living with a terrible diagnosis… and more like a person living in a terrible and beautiful world.
I’m transported to another version of my life — the one where I helped produce big shows in the heart of Boston with Eva Rosenberg, Jake Messier, Edgar Herwick, and Brian O’Donovan. The one where I handed Boston’s Mayor Menino the line: “Let’s see what happens when we bring Bourbon Street to Boylston.” (And a packed crowd at Copley Square erupted.)
By the time Soul Rebels take the stage, I’m warm — good and ready. For about two hours, I don’t have cancer. I’m not tired. I’m just a girl who loves live music, dancing beside her ride-or-die since middle school.
When we finally leave — after midnight — I’m still buzzing. We order late-night pizza and mozzarella sticks, and settle in to watch Almost Famous for the 9,000th time. Emily and I know every word. Every beat.
Until… a few words and scenes don’t line up. And we’re seriously (seriously) dazed and confused. (See that I did there?)
“Wait, what is happening?” I ask. “Do we have some different version or something? How is this possible — I’ve never seen this.”
“Okay, so you’re seeing this too,” Emily says. “Is this fucking with you? This is the same version I’ve always owned — I don’t know what’s going on.”
We stopped the stream and dug a little deeper. It turns out Prime had somehow switched to Filmmaker Mode—the original, unedited version.
It’s impossible to describe how unbelievable this moment is for us.
In each of our lowest and highest seasons, we’ve returned to this semi-autobiographical Cameron Crowe film — with much of the music composed by Crowe’s wife, Heart’s own Nancy Wilson.
Personally, I watched this movie nearly every night during the second half of my sophomore year in college, living in Luxembourg. And because I’m not exactly young, I obviously watched it on DVD — on my laptop.
I wore that DVD out — watched every single extra: the interviews with Crowe, Wilson, and half the cast. I remember this so clearly because Almost Famous was coming to Luxembourg theaters while I was living there, and I went on a date with a man too old for me, named Jake — a film director in town working on The Musketeer. Inspired by Penny Lane, I said yes to his invitation to the film’s wrap party. (I didn’t come home from that party. That’s another story, one with less gratitude, more regret — and probably the right amount of both.)
The fact that I devoured that DVD and its extras… and these scenes weren’t there? That Emily and I both own this movie on Prime and have streamed it for years, and the “silly machinery” (“silly machinery”) never once served us this version — not until now, in our 40s — feels like something more than coincidence.
Especially here, in her shotgun house in New Orleans, on my first trip here.
Especially now, when she’s reckoning with choices, and I’m reckoning with cancer, and we’re both trying to figure out what comes next.
And I’m reminded:
Even when I’m certain I know all the things that I’ve gathered every piece, that I’ve heard the record, even worn it out, there can still be more. There can still be magic.
And it can still be great.
Emily and I agreed that all of the edits made the movie stronger–except Penny’s Birthday. For those who love this movie as much as we do, but have never seen this scene, it’s so lovingly brutal.








